How we, as a society, value nature, and the tension between valuing (or appreciating) nature versus appreciating (or pouring money into) human cultural activities, have been consistent themes of this blog since I started it almost a decade ago; see for example my posts “How do we value nature? Costanza, Monbiot and the clash of concepts” and “Is the angry response of (some) environmentalists in the aftermath of the Notre Dame fire reasonable?“
Putting a monetary price on nature runs counter to the personal philosophies of many conservationists, which I completely understand: I have mixed feelings too. However there’s a whole field of research devoted to it called Ecological Economics and the valuation of natural capital and ecosystem services now plays a central role in the policies and strategies of both businesses and governments: see for instance the UK Government’s recent report on “The Economics of Biodiversity: The Dasgupta Review“. And whether we like it or not, the Earth’s ecosystems and the biodiversity that they contain support our global economy in very tangible ways, a point that I emphasise in my book Pollinators & Pollination: Nature and Society. If you’re reading this with a cup of coffee in your hand, you have to consider the ecological and financial impact of the billions of wild and managed bees that support the global coffee industry.
“What’s all of this got to do with guitars?” I hear you asking. Well, music, and especially guitars, are another constant theme of the blog, including my love of the songs of Crosby, Stills, Nash and Young, and my restoration of an old acoustic guitar back in 2020.
These themes converged together in a rather unexpected way just over a week ago. It was my birthday and as a present Karin had offered to buy me a new guitar. So off we went to Copenhagen for the day. One of the city’s best guitar shops is Akustikken and there I tried out several makes and models of acoustic guitar, of varying price and quality, before finally settling on an Epiphone Texan in an aged sunburst finish (see the image below). It plays very nicely, felt right in my hands, and was moderately priced despite its solid wood construction (cheap guitars often use laminated wood).
The guitar that really caught my eye, however, was the one in the photograph above: a Martin 045-S Stephen Stills Signature Model. Now, this is a serious, serious guitar. Based on a 1930s model owned by Stills himself, it was hand made in the USA in a limited edition of 91, of which this was number 48. The woods from which it’s made are rare and exceptional, including Adirondack spruce, Madagascar rosewood, and ebony, all species about which there are significant conservation concerns (see Richard Hobbs’s great blog The Nature of Music for more on this – highly recommended for anyone interested in the interface between human culture and ecological conservation).
The price tag for this guitar? A mere160,000 Danish kroner, about £18,000 or $20,000…..
That was WAY outside of our budget! But when the staff learned that it was my birthday they kindly took the Martin out of its humidity-controlled glass case and let me play it. I was a bit overwhelmed and very nervous if I’m honest, it was easily the most expensive guitar I have ever had in my hands! Karin took a short video of me strumming a few chords which I uploaded to Twitter:
Now, I’d played guitars up to around $2,000 in price that day, so a reasonable question is: did the $20,000 guitar sound ten times as good? Well, not in my hands it didn’t…. But in one sense it doesn’t matter, you’re not just paying for what it sounds like, you’re paying for the story, for the association with Stills, and the highly skilled crafting of the guitar – it is an exceptionally beautiful and fine-sounding instrument.
This brings us back to nature. We know from a lot of ecological experiments that have been conducted over the years that there’s a positive relationship between biodiversity (measured by the number of species in an ecosystem) and the way in which that ecosystem functions. So if you have more different kinds of plants in a grassland, for example, there tends to be greater carbon capture, more efficient use of water and uptake of nitrates from the soil, more resilience to events like drought and fire, and so forth. This is a strong and pervasive argument for conserving species within ecosystems: the more we have, the better the “health” of that ecosystem.
But, as with the sound of guitars, there’s probably an upper limit to this and ecosystems with ten times as many species probably do not function ten times as well. But they do function better. Having said that, this is a complex area of research with some competing ideas (and scientists) – this Wiki provides quite a good summary.
Regardless of the technical details, there’s no doubt that having more pollinators in an ecosystem, for example, increases the reproduction of a wider range of the plants that are present. Or that the presence of a greater diversity of dung beetles improves the rate of dung removal in grasslands.
But of course nature is more complicated than this. Just as a well made and high-value guitar is never going to sound good in the hands of a poor guitarist, likewise, species diversity in itself is insufficient. It is the interactions between those species that determines much of the way in which the ecosystem functions, and an ecosystem is never going to function well over the long term if it is inappropriately managed or if the processes that shape ecosystems, such as grazing by wild herbivores or natural fire regimes, are absent or have been altered.
Ecology is a hugely complex science but perhaps by exploring metaphors like this, some of that complexity can be made accessible to a wider range of people. Tell me what you think, does the metaphor work for you?
Prof. Jeff Ollerton - ecological scientist and author 