Yesterday I sent the manuscript of my next book Birds & Flowers: An Intimate 50 Million Year Relationship to my publisher, Pelagic. I’d promised the full draft by the end of May, and I did it!

But just as when a movie director says “That’s a wrap” at the end of the final day of filming, the hard work does not stop here. Two people have read the full manuscript as I was producing chapters and their suggestions have been incorporated into this draft. The publisher will now send it to a third, independent beta reader and once their feedback has been acted on it will go to a copy editor who will suggest stylistic changes, check for logic and consistency, and so forth.

At the same time I will be choosing which plates to put in the book, which images to use on the back cover, writing their descriptions and deciding where to cite them; checking the sources and further reading sections for each chapter and formatting the references; and producing an appendix that lists the scientific names against the vernacular names that I am using in the book. I also need to finalise the acknowledgements section.

Once all of that is done, the publisher will type set the book and send me the proofs to check. At the same time as I’m checking those I will construct the index, a process which worked well for my last two books, Pollinators & Pollination: Nature and Society (also for Pelagic) and Plant-Pollinator Interactions: From Specialization to Generalization (which I co-edited with Nick Waser for the University of Chicago Press).

As an author, producing a book is a long process that doesn’t end with the actual writing of the manuscript. It’s incredibly satisfying, however, and working with Pelagic on my second book for them has been a great experience. All being well, Birds & Flowers should be out by early winter.

Now, I have three options for the next book that I’m writing….which one to choose…?