Category Archives: Biodiversity and culture

When did plastic plants become acceptable?

Plants are important.  Really, really important.  They play important roles in society and in the nature that supports our societies: plants feed us; they are a source of many pharmaceuticals; they produce oxygen and store up carbon dioxide; they can remove pollutants from city atmospheres; and they are the foundation for much of the world’s ecological functioning.  In addition they inspire poets, artists, musicians, and have huge cultural significance, as well as bringing beauty and biodiversity to even the most urban of environments. Plants positively add to our quality of life, and make us happy, whether we are aware of it or not.

OK, there’s a bit of personal bias going on here: I’ve always loved studying and growing plants, they are a huge part of my life.  But the basic facts of what I laid out in that opening paragraph are correct: plants matter.  So I find it troubling that there seems to be a recent trend in using artificial (mainly plastic) plants indoors and in outside “gardens”.  When did this happen?  When did plastic plants become acceptable?

It first struck me that there had been a recent shift in how we view plastic plants back in the summer when I visited the newly refurbished main restaurant at the university’s Park Campus.  The refurb was very nicely done and there’s a big display about how much of the university’s waste we are recycling, and there’s lots of greenery about the place – except that most of it is plastic.

Then in November we visited my son Patrick in Lancaster.  We stayed a night in a nice hotel in the city centre, in a room that led out into a private courtyard – full of plastic plants.  There was a plastic lawn, a plastic palm, even plastic ivy.  Ivy!  One of the easiest plants in the world to grow – why would you need to make it out of plastic?!  It makes itself perfectly well which you can see if you peep over the wall at the back of the courtyard:

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Then the following week I was in London at the Wellcome Trust to take part in a project review panel.  The Wellcome’s building near Euston Station is wonderful, really striking on the inside, full of light and life.  I was initially please to see an avenue of fig trees in large containers arrayed along the centre of the main concourse:

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But when I looked closely I realised that although the trunks and branches were real, these were not living plants: the leaves are artificial, made from wire and synthetic material.  So someone has gone to the trouble of growing real fig trees only to dismember them and festoon them with faux foliage.  Please, no one tell Mike Shanahan!

I’m really surprised at the Wellcome Trust, an organisation I have a lot of respect for;  we know that real plants have a positive effect on psychology and health, though I very much doubt that the same can be said for artificial ones.  In their defence the Wellcome Trust building does have some real plants scattered about the place, but they missed a huge opportunity in not using real figs here.  Even that cathedral to capitalism that is the Milton Keynes shopping centre uses real plants in most of its displays, including some lovely tree ferns:

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And splendid palms:

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Finally, insult was added to injury as we entered the New Year.  As I mentioned in my Spiral Sunday post a couple of weeks ago, we bought a wreath as a Christmas decoration and I took it apart to compost and recycle at the start of the year.  What I hadn’t noticed when we bought it was that half of the holly berries were plastic:

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This was hugely ironic given our recent study of how insects boost the value of holly by pollinating the female flowers that produce the berries!

All of this is more than just snobbery on my part.  Yes, you can argue that plastic plants are a bit naff and can never take the place of the “real” thing.  But my main concern here is an environmental one: plastic plants require resources (usually oil-based polymers and energy) to make.  And I doubt very much whether they are recycled very often.  Yes, real plants also cost resources to grow (though that can be minimised depending on how they are grown).  But they also provide a range of benefits and, at the end of their life, they can be composted.  Not something I can do with my plastic holly berries.  Not only that, but I suspect that most (all?) of the plastic plants that are sold are manufactured in the Far East.  Using British- or Europe-grown real plants would cut down on the carbon-miles required and support more local horticultural industries.

Early in 2017 Andrew Lucas at Swansea University, on Twitter, described what he thought was the most depressing tweet of 2017 so far:  “Transform your garden today: buy Artificial Grass from ExpressGrass. Cut to your size for easy DIY installation”.

Agreed, hugely depressing, but we can do something about it: stop buying fake plants.  Perhaps we need a Campaign for Real Plants?  Its theme tune could be Radiohead’s Fake Plastic Trees:

Her green plastic watering can
For her fake Chinese rubber plant
In the fake plastic earth
That she bought from a rubber man
In a town full of rubber plans
To get rid of itself…..

……It wears me out

Spiral Sunday #17 – sculpted hair from Louisiana

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This week’s Spiral Sunday features a close-up of  hair sculpted in marble, taken during the visit to Copenhagen’s Louisiana Museum of Modern Art I mentioned in Spiral Sunday 5. Sadly I forgot to note down the name of the artist, but I do like the way s/he has depicted the hair as deeply carved, close-set spirals.

Spiral Sunday #16 – Christmas is over

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Yesterday we took down the Christmas decorations that have festooned the house this year.  Whilst I was taking apart the wreath we’d hung on the door I noticed for the first time that the bow had a lovely spiral design.  I thought it would make a nice Spiral Sunday for this year, and we’ll re-use it next year.

More on that wreath later in the week….

Spiral Sunday #15 – Happy New Year!

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A Spiral Sunday for New Year’s Day!  This shot was taken at last year’s RHS Chelsea Flower Show where I was helping the British Ecological Society win a Silver Medal.  This is the water feature in Nick Bailey’s Beauty of Mathematics, one of my favourites from that year, and a garden in which Fibonacci spirals abounded, both in the plants and the hard landscaping.

Looking forward to RHS Chelsea 2017, the BES will be producing another display, and this time hunting for a Gold Medal.  I’ll let you know how it progresses.  Happy New Year to all of my readers!

Spiral Sunday #14 – Merry Christmas!

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A double helping of Spiral Sunday for Christmas Day 2016 – two glass baubles on our Christmas tree with very different spiral forms.  In the first, the spiral is integral to the design, it is spiral in form.  In the second, molten coloured glass has been trailed in a spiral pattern on the surface to create the pattern.  Both very different, but both beautiful in their own way.

Merry Christmas everyone!

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Spiral Sunday #13 – a rope is a spiral, right?

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Spiral Sunday today shows a detail from a cast iron bridge that I photographed recently in Bristol.  As far  as I can gather the bridge commemorates the local rope making industry, which was vital for the shipping that used this port.  To make ropes like this you twist the fibres, forming a helix; which is, of course, a long spiral.  Right?

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Insect pollinators boost the market price of holly and mistletoe: a new study just published

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Each year I’ve always added at least one Christmas-themed biodiversity post to the blog, for example: Thank the insects for Christmas, A Christmas vignette, and Six Kingdoms for Christmas.  That’s partly because I really like Christmas as a winter festival, with its folklore and customs.  But it’s also because these are a great vehicle to demonstrate how pervasive and important is natural capital and the ecosystem services it provides to society.

This year I’ve gone one stage further and actually published some Christmassy research to back up the blog post.  Now, in a new study published in the Journal of Pollination Ecology, we have shown how important insect pollinators are in determining the market value of two of the most emblematic of Christmas plants: holly (Ilex aquifolium) and mistletoe (Viscum album).  Here’s the full reference with a link to the paper itself, which is open access:

Ollerton, J., Rouquette, J.R. & Breeze, T.D. (2016) Insect pollinators boost the market price of culturally important crops: holly, mistletoe and the spirit of Christmas. Journal of Pollination Ecology 19: 93-97

Holly and mistletoe are two seasonal crops that play a culturally important role as symbols of Christmas across the world, though both also have pre-Christian pagan roots. Now for the first time the role of insect pollinators in determining the commercial value of these plants has been investigated, using sales records going back over the last eleven years from Britain’s largest annual auction of holly and mistletoe, held every year in Worcestershire.

Analysis of the sales records of Nick Champion Auctions in Tenbury Wells shows that insect pollination raises the sale price of these crops by on average two to three times. This is because holly and mistletoe with berries is more sought after than material without berries, with wholesale buyers paying higher prices at auction. These berries in turn are the result of pollination by insects such as flies and bees: both holly and mistletoe are 100% dependent on insect pollination due to their having separate male and female plants.

There is some annual variation to the prices, and in years where berries are scarce (possibly due to low insect numbers) the price difference can be four-fold.

Due to concerns about pollinator declines and food security there is huge interest in the role of bees and other insects in supporting agriculture, and how we can value that role. However we believe that this is the first study showing that insect pollinators play a large part in determining the value of culturally symbolic, non-food crops. Almost all of the economic valuations of insect pollination to agriculture have focused on food crops such as beans, apples, cocoa, coffee, and so forth. Very little is known about how the value of non-food crops (fibres, construction materials, pharmaceuticals, ornamentals, etc.) is enhanced by insect pollination. This is an area where much more research is required.

But in the mean time, where better to end than with a bit of seasonal John Clare?

The shepherd, now no more afraid,
Since custom doth the chance bestow,
Starts up to kiss the giggling maid
Beneath the branch of mistletoe
That ‘neath each cottage beam is seen,
With pearl-like berries shining gay;
The shadow still of what hath been,
Which fashion yearly fades away.

The Shepherd’s Calendar (1827)

Spiral Sunday #11 – Spiralicious in Milton Keynes

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This week’s Spiral Sunday post features a couple of shots I took today in Milton Keynes where we spent a tiring day Christmas shopping.  One of the outdoor stalls is selling a traditional baked sweet pastry from Transylvania, the name of which they have Anglicised to “Spiralicious”.  It’s made with a very neat spiral-shaped dough cutter, which was just begging to be photographed.

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Spiral Sunday #10 – a shrine in Tenerife

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To celebrate number ten in my series I thought I would fulfil a promise that I made in Spiral Sunday #1 to tell the story behind the main image of a blue spiral that adorns this blog.

In 2008 I was leading a group of students on a walk in the Anaga region of Tenerife during our annual undergraduate field course to the island.  We were hiking through laurel forest along the trails from the restaurant at Cruz del Carmen,  looking at the forest and cliff vegetation community structure.  During our lunch break I set off alone down a side trail and came across a shallow recess, a sort of low natural grotto, in the vertical bank that defined one side of the track.

The walls of the grotto were green with lichen which made a vivid backdrop to what appeared to be a small shrine consisting of branches, including one set upright that looked like a human figure with arms raised, or could it represent a crucifix?  Around this were scattered coloured pencils (to the right on the main image) and pieces of paper with writing on them, possibly prayers (on the left).

Most striking of all was a drawing of a blue spiral, its colours smudged and faded with the humidity, but still a conspicuous contrast to the lichen.  I took a few photographs, being careful not to disturb the display, then headed back to catch up with the students.

There is a strong local sense of traditional, pre-Spanish identity in this part of Tenerife and it is well known for its local stories such as the “Witches of Anaga“, and it’s possible that this shrine relates to local ritualistic practices.  The spiral is a traditional design used by the original Guanche inhabitants of the Canary Islands and still regularly found on logos, pottery, etc.  Alternatively what I discovered could have been just kids playing in the forest, though that seems unlikely as it’s off the beaten track and not close to any villages.

I’ve occasionally found other ritualistic items on the island (e.g. a child’s doll wrapped in cloth, with folded paper in the bindings) but the Anaga spiral shrine was a particualrly striking discovery.  When we returned with the field course the following year the spiral had disintegrated but the rest of the shrine had been tidied up and more neatly arranged (see lower photograph).  I wonder if it’s still there?

 

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